A photographer picks one frame from the torrent of input in his or her field of vision and simplifies, looking for some intrinsic logic. In that one selected frame, a picture can capture harmony and meaning. Outside the frame is—well, all that other stuff. Three hundred and sixty degrees of relentless reality.
We get to start over, creating order and serenity from chaos. In that inchoate mess are so many possibilities. Because the world is so big, and so very beautiful.
by
Claudia Dowling
